Theatre of the Oppressed, Boal introduction and links

 Augusto Boal’s Theatre of the Oppressed, developed in Brazil in the 1960s and 1970s, represents a revolutionary approach to theatre. Its inception is rooted in Boal’s belief that theatre should not be confined to the stage, separate from its audience, but rather should engage directly with the public, encouraging active participation and dialogue to address societal issues and enact change. This approach was heavily influenced by Paulo Freire’s “Pedagogy of the Oppressed,” which emphasised the importance of dialogue and critical thinking for empowerment and liberation. Boal’s method extends these principles into the world of theatre, transforming the spectator into an active participant or “spect-actor,” who engages with the performance to explore, analyse, and propose solutions to social and political problems.

https://thedramateacher.com/theatre-of-the-oppressed-infographic/

https://www.theatrefolk.com/dta_units/unit-eight-theatre-of-the-oppressed